Saturday, November 24, 2007

The Giver review

Virginia Caldwell
Book Review Genre 6
TWU assignment
LS 5603 – 20


THE GIVER


Bibliographic Data:
Lowry, Lois. 1993. THE GIVER. New York: Houghton Mifflin. ISBN 0395645662


Plot Summary:
Jonas is a boy who lives in a seemingly utopist future community. However, when he is chosen to be "The Receiver,” Jonas begins to find out about many wonderful and terrible truths about the world and his community; this new knowledge changes Jonas in various ways.


Analysis:
In THE GIVER, Lowry takes the reader on an adventure into a fascinating future society, which is governed by Elders. Unlike our world, the community is extremely structured and attempts to do away with the past ills of society by imposing strict rules on people.


For example, all infants are born to “birthmothers,” and then taken to the building for the "newchildren" (babies from birth to one year old) to be cared for by “Nurturers.” After the first year, the babies are given to pre-approved families who will raise them. The elders match the family members by personality, disposition, and intelligence, so that the family will be a harmonious and pleasant unit.

The community that Lowry creates is fascinating and believable. She creates just the right amount of fiction versus humanity to make this community come alive to the reader. The way she unfolds the tale is done so well that the reader will be completely engrossed in finding out the next rule or detail of the fictitious community.

To the reader, this very structured community might seem somewhat appealing because it has many of the qualities that society is often missing today, like two parent families that pay attention to their children by spending time with them and communicating. In addition, the community is very safe to live in. These qualities really bring the reader into the novel, and make them consider whether living like the people in the book might be better. Lowry’s use of this technique is expert; the reader goes on a journey as the book progresses, and begins to change his or her mind about things at about the same time that Jonas does in the book’s action.

Jonas, the eleven-year-old protagonist is a normal young boy, who kids will identify with, because of the common youth concerns, like “What will I become?” However, Jonas will discover his lifetime job at the Ceremony of Twelve Year Olds, during which every child who is twelve is assigned a position.

Jonas is assigned a very honored, yet secretive and frightening position – a position that the community only has one of – “The Receiver.” Soon, Jonas learns that his job will separate him from society, be very painful, and will allow him access to vast amounts of knowledge.

When he starts his training, Jonas begins to grow as a character. He begins to develop independent thought, and a new perspective about his community. He comes to find out that the people in his community are completely ignorant of most of the world and its history. Jonas, by himself will be the carrier of generations of knowledge that the community in general is protected from; all this knowledge is a great burden that the “Giver” must pass along to Jonas before he can retire.

One example of how the information is passed from “The Giver” (the former “Receiver”) to Jonas is the passage below.



“I’m right then,” The Giver said. “You’re beginning to see the color red.”

(Jonas) “The what?”

The Giver sighed, “How to explain this?
Once, back in the time of memories, everything had a shape and size, like they
still do, but they also had a quality called color.”


This learning of so much new knowledge about so many things causes Jonas to see how shallow and without the people of the community are, and how much they are missing by keeping the community free of all things unpleasant. The community standard of “sameness” has removed many of the special and happy things about life along with the pain; Jonas comes to find that without certain knowledge, people cannot experience the greatest emotion – love.

The shallowness of the citizens is highlighted in a passage in which Jonas’ father is discussing the “release” of the baby that would be born as a twin. The community rules said that only one twin could be kept. It was Jonas’ father’s job to decide which twin to keep and which to “release.”



“I want to get some sleep early tonight,” Father said, “tomorrow’s a busy day
for me. The twins are being born, and the test results show that there
identical.”

“One for here, one for Elsewhere,” Lily chanted. “one for
here, one for Else—“

“Do you actually take it Elsewhere, Father?” Jonas
asked.

“No, I just have to make the selection…then I get the smaller one
all clean and comfy…..Then I perform the ceremony of Release and –“He glanced
down, grinning at Gabriel. Then I wave bye-bye,” he said, in a special sweet
voice.”

Later, Jonas actually views his father performing the “release.” Jonas is horrified to watch his father stick a large needle into the baby’s head that kills him. Jonas is increasingly seeing that the community would be better off without the “sameness” doctrine; he is seeing how the entire community is functioning like clones, not fully aware human beings.

The novel ends with a plan between “The Giver” and Jonas, to redistribute the good and bad memories between the people of the community.

THE GIVER is a masterpiece that will cause readers to examine the human condition, the value of pleasure and pain, and the point of living.



Review Excerpts:
School Library Journal, 05/01/1993
The Giver, who passes on to Jonas the burden of being the holder for the community of all memory ``back and back and back,'' teaches him the cost of living in an environment that is ``without color, pain, or past.’’ --Amy Kellman, The Carnegie Library of Pittsburgh

BookList, 04/15/1993
There's a distinctly appealing comfort in sameness that kids--especially junior high kids--will recognize. Yet the choice is clear. Sameness versus freedom, happiness at the risk of pain. ((Reviewed Apr. 15, 1993)) -- Ilene Cooper. Booklist, published by the American Library Association.



The above reviews are from Book Index with Reviews. 2007 EBSCO Publishing, Powered by The Title Source TM (Accessed through http://online.twu.edu/webapps/portal/frameset.jsp?tab_id=_142_1 on November 20, 2007).



Connections:
Other books with similar themes
ANTHEM by Ayn Rand, TUCK EVERLASTING by Natalie Babbitt, GATHERING BLUE by Lois Lowry, and MESSENGER by Lois Lowry.

MONSTER review

Virginia Caldwell
Book Review Genre 6
TWU assignment
LS 5603 – 20


MONSTER

Bibliographic Data:
Myers, Walter Dean. 1999. MONSTER. New York: Harper Collins. ISBN 0060280778


Plot Summary:
MONSTER tells the story of Stephen, a sixteen year old boy from Harlem who is on trial for murder.


Analysis:
Told from the point of view of the protagonist, Stephen Harmon, MONSTER is a story that deals with the issues of man against himself and man against society. It is a story about the state of the human condition as well as growing up.

Myers created MONSTER to read like a movie script that Stephen creates as he attends his trail for the murder of a man that happened during the course of a robbery. At his high school, Stephen developed an interest in filmmaking, and he chooses to tell his story as if it were a film. Instead of a regular novel, MONSTER reads more like a play, although with personal diary entries from Stephen. In additional, the novel creatively uses fonts, print size, graffiti-like print and a few photographs to convey the information to readers.

The diary entries are key to telling how Stephen is feeling, especially when is in his prison cell. The diary is in a handwritten form. The following except is a look into his realization that his future is in peril.


I am so scared. My heart is beating like crazy and I am having trouble
breathing. The trouble I’m in keeps looking bigger and bigger. I am
overwhelmed by it. It is crushing me. (201-202)

MONSTER leaves a lot of room for the reader to think and ponder whether not Stephen is guilty at all, and whether or not his being an accessory by acting as a lookout is equal to his charge of murder. MONSTER also addresses the possibly inequity of who the authorities choose to charge for a crime and the fairness of the entire court and prison system. Stephen never reveals if he did act as a lookout, but he does begin to critically look at guilt and innocence as well as life’s meaning and purpose in general. The novel also touches on the issues of race and class problems within America.

One very thoughtful observation is Stephen’s realization that:


“They didn’t allow kids in the visiting area, which was funny because if I
wasn’t locked up, I wouldn’t be allowed to come into the visiting room.”
(156)

By the end of the novel, the reader does know that Stephen is very changed by the experience. He has decided to become a better person. During the short action of the book, readers will get to see Stephen forced into adulthood in a very short time period, due to the events of the story and the subsequent trial. Many loose ends are tied, but one is left very open: Stephen has seen that other people see something that is perhaps evil in him, and is very concerned about this; the novel ends with Stephen trying to figure out if there is something to this – is he a monster?


Review Excerpts:
School Library Journal, 07/01/1999
“Myers expertly presents the many facets of his protagonist's character and readers will find themselves feeling both sympathy and repugnance for him.” --Edward Sullivan, New York Public Library Copyright 1999 Cahners Business Information.

BookList, 05/01/1999
“Myers combines an innovative format, complex moral issues, and an intriguingly sympathetic but flawed protagonist in this cautionary tale of a 16-year-old on trial for felony murder.” ((Reviewed May 1, 1999)) -- Debbie Carton. Booklist, published by the American Library Association.

The above reviews are from Book Index with Reviews. 2007 EBSCO Publishing, Powered by The Title Source TM (Accessed through
http://online.twu.edu/webapps/portal/frameset.jsp?tab_id=_142_1 on November 21, 2007).


Connections: Other books with similar themes
TEARS OF A TIGER by Sharon M. Draper, CRANK by Ellen Hopkins, BURNED by Ellen Hopkins, and MONSTER: THE AUTOBIOGRAPHY OF AN L.A. GANG MEMBER by Sanyika Shukur.


PRINCESS ACADEMY review

Virginia Caldwell
Book Review Genre 6
TWU assignment
LS 5603 – 20


PRINCESS ACADEMY


Bibliographic Data:
Hale, Shannon. 2005. PRINCESS ACADEMY. New York: Bloomsbury Publishing. ISBN 1582349932



Plot Summary:
Miri is a fourteen-year-old girl living in the poor mountain town on Mount Eskel. One day, a representative of the King comes to announce that the new princess must be a girl from this area. All of the girls of the right age are rounded up and sent to the newly formed “Princess Academy” to learn all of the things a candidate for princess should know before meeting the Prince, who will choose one girl to be the Princess.


Analysis:
Miri has never felt useful in her mining hometown because she is never allowed to work in the mines, like most of the other residents. She aches to prove herself useful in some way, and feels like an outsider in a community where everyone works hard to survive, mostly by mining linder, the only product Mount Eskel exports.

The entire town is surprised when a representative of the King tells the townspeople that the next princess of the land will come from Mount Eskel, and that all girls who are the correct age must leave home to attend a “Princess Academy.”

After some initial resistance from the parents, the girls are sent three hours away to a large building that will serve as the school. The impoverished girls meet the teacher, Olana, who is cruel. She insults the girls and delivers extreme punishment for small rule infractions.

At this point, Miri begins to emerge as a leader, who is unhappy with the treatment of the girls. She gains the courage to stand up to the teacher, but is initially only rewarded with distain from the other students.

Despite the homesickness and pain of isolation, Miri begins to discover that she is intellectually bright. She is the first of the group of twenty girls to effectively read a passage in class. Miri decides that she likes learning, even if she has little desire to leave her home to become a princess.


During the course of THE PRINCESS ACADEMY, Miri learns a great deal about herself. She finds out that she is strong, honest, hardworking, intelligent, and worthy of love. Miri also finds the sense of belonging to her community that has evaded her since she can remember. One thing that gives Miri her first hint that she indeed does belong, is that she finds that she can use a special communication. This “quarry speech” is what the mineworkers of the town use when they are mining because they cannot communicate any other way due to the noise and conditions. Miri find out that she can use and hear “quarry speech.”

After finding this out, Miri wants to communicate with the other girls at the academy; she wants to tell them that they can all run home.

“She did not know if it was possible to say something so specific; she had never
tried. But if quarry speech used memories, could she convey more than just
quarry warnings? Could she tell everyone to run?”…

“Rabbits run!”
and all the children stood and ran.
“Miri seized this memory and sang it with
her thoughts, down into the beating of her boot, down into the linder.”
(117-199)


Due to her fairness and concern for others, Miri becomes the most popular girl at the academy. Miri does not get caught up by the fierce competition between the girls to be a princess. Her focus remains on the welfare of every person, and she teaches others many important lessons about life. Miri begins to find her calling in life.

Hale is masterful in keeping THE PRINCESS ACADEMY exciting by having two climactic events in the novel, and a interesting, satisfying ending. This novel is proof that fairy tales may exist, but are not always exactly what we all expect of them, which is refreshing.



Review Excerpts
BookList, 06/01/2005
“Hale nicely interweaves feminist sensibilities in this quest-for-a-prince-charming, historical-fantasy tale. Strong suspense and plot drive the action as the girls outwit would-be kidnappers and explore the boundaries of leadership, competition, and friendship.” -- Anne O'Malley. Booklist, published by the American Library Association.


Publishers Weekly 08/08/2005
“Through education—and the realization that she has the common mountain power to communicate wordlessly via magical "quarry-speech"—Miri and the girls eventually gain confidence and knowledge that helps transform their village.” Ages 9-up. (July) Publishers Weekly, A Reed Business Information Publication


Connections:

Other books with similar themes
ELLA ENCHANTED by Gail Carson Levine, THE GOOSE GIRL by Shannon Hale, BRIDGE TO TERABITHIA by Katherine Paterson.